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Thursday, 27 March 2014

Leeds International Artist Book Fair 2014

Although I was full cold and feeling a bit separated from my own body, I didn't let this stop me get to the International Contemporary Artists' book fair the other week. This year it had moved venue to the new Tetley Art gallery, formerly the Tetley brewery. Not overly impressed with this gallery when I went to the opening, I have to say that it works much better as a space for a large fair. Although boiling inside, it was much lighter that the hall at Leeds University. I also though the book fair fit really well with some of the original details of the building such as climbing the old steps next to an original grille-door lift shaft, and things like the wood panelling on the walls. It was almost like walking back into an old library.

I didn't spend as much time as I would have liked at the fair this year due to my broken body, but I did stumble upon the gem of Incline Press. They are a private press who commission writers and illustrators/printmakers to create limited edition books' typeset, printed and bound in the traditional way. I met Graham Moss, the owner of Incline press, who generously shared the finer points of his self-taught book binding techniques and was a great inspiration through my fluey headache fog.

I also bought this delightful little chapbook, 'Toad Poems.'




Inside was following poem 'warty bliggens' by Don Marquis:


In a moment of Serendipity I discovered these poems were part of a newspaper column, 'Archy and Mehitabel,' where Archy was the cockroach typing the poems and Mehitabel was his best friend, an alley cat. Now where does that name sound familiar? Yes, from my latest commission under the name of Mehitabel Press! I take this as a sign that I must be doing something right at the moment.

Tuesday, 25 March 2014

Behind the scenes: recent commissions

So I've been a bit quiet on here over this last month as I've been busy with lots of delightful commissions. I thought I'd share a couple of them with you and a bit about how they evolved into the finished works.

This was a really fun piece, creating a watercolour portrait for a lovely customer all the way in Tel Aviv!



But the project that has got me really excited has been this one.. I was asked to illustrate and bind a collection of poems for a lucky ladies birthday. We were having so much fun with it that it turned into my first editioned publication and the creation of the fictional Mehitabel private press!
binding up the first copy of the book
last book in the press - excuse the mess!
the finished book, buzz buzz

I hope all the recipients enjoy reading their books as much as I did making them. Here's to many more publications for Mehitabel press.

final poem
Illustration for 'Undone' © Laura Long 2014




Saturday, 8 February 2014

[DIY] linocut valentine's card with How.Do

Hello, so I've been getting in the mood for love making lots of Valentine's cards, and I thought you might enjoy seeing how to make your own hand printed lovebird cards. I've created my first tutorial for a  collaboration with How.Do, a creative platform for capturing & discovering DIY micro guides. It's a free iPhone app that combines tradional handmade techniques with new technology. There are some pretty cool tutorials on there like how to make your own paper horse head! I love the fact it gives designer-makers  access to a growing community where we can share our creative work via simple but effective video tutorials. Plus I quite enjoyed pretending to be some kind of Blue Peter presenter! 


To celebrate the month of love, How.Do have brought together top DIY blogging darlings including the brilliant frankie magazine, P.S.- I Made This and top Etsy designers to create lovely Valentine-themed tutorials. All projects will be highlighted on how.do/yearofthehorse leading up to the big day.
Here's a copy of my tutorial:

draw out your design on the lino block 
 - remember to draw the image backwards if you have text

cut away around the design the areas you want to leave white
roll out some ink, until it makes a lovely crackling sounds like bacon frying
apply lots of thin layers of ink to a detailed design

place your paper over the block and apply pressure with the spoon to transfer the image
carefully peel back to check progress, keep rubbing if the image is faint


You can print several copies to send to all your beaus!

score the card in the centre to help get a crisp fold

glue the design onto your card for a finished pair of lovebirds
Take a peek at the full tutorial:




MAKE A LINOCUT VALENTINE a micro guide by Magpie Moonshine on How.Do

Thursday, 30 January 2014

New hand bound books

New accordion photo album, fireworks! Plus experimenting with long stitch binding:

For sale here
For sale here

Sunday, 26 January 2014

'Written in the stars' - new love quote linocut in the shop

So I've been getting all mushy in preparation for Valentine's day and I've finished this linocut monoprint. It is of a couple stargazing out in the mountains. Written in the sky is a quote by Aristotle, 'love is composed of a single soul inhabiting two bodies.' It was really fun making this, and it was my first time creating a 'rainbow' roll background. That is where you roll several colours at once on one roller.

Here's the finished print:
Available to buy here 
 © Laura Long 2014
© Laura Long 2014

© Laura Long 2014

And these are some work-in-progress shots of cutting the block for the pine trees:


Tuesday, 14 January 2014

Things I've been making since last week

Printing lots of linocut bluebirds/lovebirds onto old book pages...


...to turn into Valentine's cards!
Available in my Etsy shop here
© Laura Long 2014
Designing the rest of my Valentine's card range; 'swept off my feet,'what a sentimental soul I am!

'Swept off my feet' - available here
© Laura Long 2014 
'You and me, sitting in a tree.. k-i-s-s-i-n-g'
© Laura Long 2014 
'You're my favourite'
© Laura Long 2014 
 Making lots of mini accordion fold 'brag' books:
© Laura Long 2014
© Laura Long 2014 
I decided it was time to broaden my range of cover choices for my mini 3 x 3" accordion books, these will be in my Etsy shop soon. I tried out a new design without the ribbons on the wavy pattern one, what do people think? Ribbons or no ribbon?

I've also been trying to improve my photography skills when photographing my 2D artwork, does anyone have any suggestions of how I can photo my prints better? Here's two I've tried to re-shoot. The yellow picture is actually a heat press dye print on chiffon, based on an A1 linocut I made last year.
Birds in the Apple Tree, by Laura Long
© Laura Long 2014 
Available here
© Laura Long 2014 

I've also been working on a super sentimental linocut print relating to star gazing,  but you'll have to wait until next week to find out more..


Tuesday, 7 January 2014

Reflections on quitting my job - passed the 1 month mark!

Today marks 1 month since the day I quit my job in data governance. What even is data governance? Let's not get into that right now..  I wasn't sure whether to write this post, there are so many other 'quit my job' blogs and inspirational sites out there. But, I feel it is important to share this on here, as it plays a large part in shaping who I am as a creative person, and explains how I got started with this blog in the first place.

The reason I didn't post an immediate 'I quit today' entry last month is because 1) I thought this blog should only be about creating art and positive inspirational stuff and 2) really, I felt a little embarrassed as though I would be glamourising quitting. Quitting has negative notions of giving up, not being able to stick at something, and if that's the case, then I seem to be useless at sticking at a salaried job! I sometimes admire people who have had 1 job for their whole lives, they must have so much discipline.

Stop reading now if you though this post was going to be about art or an inspiring talk about quitting your own job, from here on it's going to get a bit dark.

Last December I quit my well-paid job in finance, with a nice commute, flexi-time and a generally nice working environment to pursue my dream of earning money from making art. How courageous, amazing, she's living the dream!

Well it wasn't all sunshine and roses. I'd been earning a modest sum of money through online art sales, but nothing that was going to guarantee me a proper income solely through art, but I knew I had to make the leap. It wasn't like I just woke up and decided to quit either, I had been mulling this over for months, looking at my finances, what my options could be, in fact I've probably always had one eye on the exit in every job I've worked in if I'm honest. I even tried to give my notice 3 times, that's how torn I was about leaving the place!

For anyone else, it would have been the perfect job, a good wage, good colleagues and a flexible workplace, but none of that was enough for me, I had a feeling inside that this just wasn't right. Eventually, I had to quit as this manifested itself into intense anxiety, I would constantly worry that I couldn't do my job, even when my boss said I was doing well. I would struggle to concentrate and I would often have panic attacks and feelings like I would faint. I managed to mask this at work, so on the surface it looked like I was doing great. But at home I would cry every evening or return home like a zombie and just sleep all night. This was affecting my relationship with my partner, my ability to be creative, how could I make anything in my free time when all I was doing was sleeping or crying? The worst part was it also severely dented my confidence. I felt unable to go out and visit friends, I worried that I wouldn't be able to talk to them or would have nothing to say and became nervous all the time. All classic anxiety symptoms. In the end, persuaded by my partner, I went to see my GP who gave me beta-blockers so I could get through the day at work and referred me for a 'Stress' workshop...

A couple of months of medications and a few 'stress' sessions later, I realised no amount of 'relaxation' practice or coping mechanisms were going to help me switch off from work at home or get to a point where I didn't feel tense constantly whilst at work. Plus did I really want to have to take a tablet before every daily meeting I felt anxious about? I needed to accept that corporate life just does not work for me. I might have the intellectual capacity, but mentally my body cannot cope, it just gets stuck in 'panic' mode.

So here we are 1 month on, and I'm finally listening to my gut and trying to pursue something I actually care about, expressing myself through printmaking and book binding, and hoping others get some joy or a shared understanding from my work.

December was crazy, I had loads of orders and sales at Christmas fairs and this really boosted my confidence. I knew January would be quiet, and that the main thing I need to work on is creating a 'range' or body of work to approach shops and exhibitions. But, that doesn't mean I don't still doubt myself.

I'm constantly questioning whether I've done the right thing, whether I'm being selfish and should just go back to a 'normal' job, but luckily for me, I have a secret superpower which I shouldn't waste. My partner. He is the most supportive person I know, he has more belief in me than I do! He knows when I'm panicking and has the strength to tell me to 'just get on with it.' I'm never going to move off the bottom of any career if I don't keep going and work at perfecting my drawing, my printmaking, my photography skills. The only way I can do this is by 'getting on with it.'

So that's my goal for 2014, get stuck in, make mistakes, learn, the main thing is to just make something! Hopefully out of all of the making, some pieces will stand out and form a cohesive collection, and then I'll be getting somewhere.